Osmosis Jones continues his steady rise with his debut release on HARD Records, unveiling ‘All The Money In The World’—a forward-thinking UK garage cut rooted in both nostalgia and modern club energy.
Hailing from Melbourne, Osmosis Jones has been quietly building momentum as one of the key figures pushing the global UKG resurgence. On this latest release, he blends classic influences from speed garage and bassline with heavyweight house elements, delivering a track designed for peak-time rotation.
At its core, ‘All The Money In The World’ is driven by a gritty grime vocal that cuts through the mix with sharp intent—delivering a defiant, ego-checking message that no level of wealth can compete with presence and authenticity. Beneath it, a muscular groove unfolds through tight drum shuffles, sustained string layers, discordant crash accents, and hollow synth work. Elastic basslines and bleep-driven harmonics anchor the track, giving it both weight and bounce.
Speaking on the collaboration, Osmosis Jones shared his excitement about working with Capo Lee, whose vocal presence adds a raw edge to the record: “I’ve been a huge fan of Capo’s, so it’s mad to finally have something together. I’m really keen to get this out and start playing it on tour.”
Beyond his productions, Osmosis Jones has been instrumental in shaping the scene through his label INTHEHOUSE RECORDS, while also delivering standout remixes for artists like Ell Murphy and Young Franco. His catalog spans releases with Tuff Trax, KAISUI, and Dubplate Pressure, alongside collaborations with artists including IsGwan, Prizefight, and Waxx Off as part of the collective Inside Kru.
His profile surged after Interplanetary Criminal spotlighted him as a must-watch talent in a viral interview, with further support coming from tastemakers like Silva, Bumpa, Main Phase, and Soul Mass Transit System.
Fresh off a performance at the ATW showcase during Miami Music Week at The Ground Miami, Osmosis Jones is set for a packed run of shows, including appearances at Outlook Origins and Parklife, alongside a London support slot for Captain Wallop at Carpet Shop and a string of Australian dates across Max Watts, The Prince Consort, and Oxford Art Factory.
With ‘All The Money In The World’, Osmosis Jones further solidifies his position as a driving force in the new wave of UK garage—delivering a track that feels both rooted and refreshingly forward-facing.
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