South Florida electronic band B0YG1RL returns with “MOND LAN FINI,” an abrasive new single accompanied by a music video and released via Surf Gang Records. Produced alongside Prblm, Amne, Mozi Beatz, and Trauma, the track pushes the group’s experimental approach into especially chaotic territory, pairing bit-crushed gabber drum loops with lyrics sung in Creole. Its title translates directly to “world ending,” a fitting description for a track that sounds like it is tearing its way through the speakers.
“MOND LAN FINI” marks B0YG1RL’s first release since their EXIT 2B EP arrived in May. The new single also arrives ahead of an expanding run of live appearances across Miami, Los Angeles, and New York, including direct support for Argentinian electronic artist Six Sex and appearances at III Points, always forever Festival, and MoMA PS1.
Across those upcoming performances, B0YG1RL will continue bringing its music and visual world into club, festival, and gallery environments, extending a practice that has never been limited to one particular format.
Fronted by June Vinette and Angela Rio, the Miami-based project operates somewhere between experimental electronic music and multimedia visual art. Their sound pulls from the musical landscape around them, incorporating elements of Miami bass, baile funk, Haitian konpas, and dembow while exploring the spaces where club culture, community, and place overlap.
That refusal to settle into a single genre has been evident throughout the group’s work. Their breakout single “Je M’appelle Tété” erupted through fizzing synths and frenetic energy, while EXIT 2B moved between bludgeoning 808s and unexpected downtempo passages. Rather than treating those shifts as contradictions, B0YG1RL uses them to build a musical language that can move freely between different registers.
Released through Surf Gang Records in May, EXIT 2B pushed that approach even further through a combination of unconventional club tracks and more restrained moments. The project earned Pitchfork’s Best New Music designation and an 8.2 rating, while “Little Haiti” received a Best New Track distinction.
But the world B0YG1RL is documenting extends beyond sound. Their visual practice runs alongside the music, often focusing on local oral histories and transforming them into public video portraits, community-led activations, and other forms of multimedia storytelling.
That work is deeply rooted in South Florida, particularly its Black and Caribbean communities. Through their visual projects, B0YG1RL documents the people, spaces, textures, and spiritual architecture that give Miami its identity, treating the city itself as both subject and creative material.
The same perspective can be heard in the music. B0YG1RL pulls from the rhythms and sounds surrounding them, then reshapes those influences into something that resists easy categorization. “MOND LAN FINI” takes that philosophy into its most destructive territory yet, with distorted percussion and Creole vocals creating an atmosphere that feels simultaneously rooted in place and completely otherworldly.
For B0YG1RL, music and film ultimately serve different purposes within the same larger practice. One moves through rhythm and physical energy, while the other captures voices, environments, and histories. Both are ways of tracing the people and places that surround the group—and of turning those observations into something that can be experienced far beyond Miami.
With “MOND LAN FINI,” that connection between place, sound, and visual storytelling continues to evolve, giving B0YG1RL another opportunity to push the boundaries between electronic music, art, and community.
B0YG1RL: Instagram | TikTok | YouTube | Streaming