Home EDMSublab and Teneki Reunite on Genre-Bending Hardwave Anthem “Break My Soul”
Break My Soul

Sublab and Teneki Reunite on Genre-Bending Hardwave Anthem “Break My Soul”

by Press Release
1 minutes read

Sublab and Teneki return with “Break My Soul,” a powerful new collaboration arriving August 1 via Insomniac’s BREAK ROOM imprint. Building on the chemistry first explored in their 2021 track “Pursuit,” the German-Chilean duo fuse cyberpunk textures, euphoric melodies, and hard-hitting bass in a bold, emotionally charged hardwave cut.

“Break My Soul” thrives on tension and contrast. Trance-inspired synths and luminous pads hover above crisp, trap-rooted percussion, before giving way to a roaring wall of Reese bass that hits with serrated intensity. Equal parts brutal and beautiful, the track is engineered for both late-night club immersion and solitary headphone catharsis.

“It’s a sound that feels euphoric, brutal, and luminous all at once,” shares Sublab. “It builds tension like a gathering storm before breaking open with raw, cathartic drops.”

The single follows Sublab’s breakout BREAK ROOM debut “Acrobatix,” which earned acclaim from Iggy Magazine, Fresh Music Freaks, and Global Money World. With support from artists like RL Grime, Marshmello, Alison Wonderland, NGHTMRE, and SLANDER, Sublab’s profile continues to rise, bolstered by placements on Spotify’s top electronic playlists including Trap Mojito, Bass Arcade, and creamy.

For Teneki, a standout name in Chile’s electronic scene, the track adds to a growing list of futuristic collaborations with acts like Angel Cannon, 4RUNNR, and Sudoverse. His unique fusion of neotrance, cyberpunk, and trap elements brings a forward-thinking edge to “Break My Soul,” marking another step forward for Latin America’s bass music underground.

Together, Sublab and Teneki elevate their collaborative voice with a focused, genre-fluid anthem that merges raw impact with melodic depth.

“Break My Soul” is out August 1 on BREAK ROOM Records and available on all major platforms.

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