Relentless Beats hosted its inaugural festival, Coconino Campout, at Pepsi Amphitheater in Flagstaff, AZ, this weekend. The event was a sonic journey that featured a stacked selection of bass-heavy performances, technical challenges, and unexpected surprises. Here’s a look at some standout performances that made this festival unforgettable.
Day 1: Campout Vibes!
A Hundred Drums opened the festival with a set that showcased her deep knowledge and confidence on the decks, even in the face of technical issues. These hiccups were quickly resolved, thanks to her positive attitude and the onsite tech team’s expertise. As she dropped into some deep wubs, she kept the energy high and the crowd engaged.
The Widdler followed with a slower start, easing the crowd into his vibe. His transitions were so smooth that they almost went unnoticed, playing with the beat without losing momentum. A highlight was his playful inclusion of the Pinky and the Brain theme song, which he mixed into a funky yet slightly sinister vibe.
He experimented live, dropping and then rewinding tracks to create even harder drops, keeping the crowd on their toes. His reimagining of Sandstorm into a dubstep beat, while maintaining its essence, was a crowd favorite, culminating in a harsh cut to Kelly Clarkson’s Because of You which he built up to a mind-blowing drop. The set was a wild ride, taking the audience from 2000s ballads to wooks’ favorite beats, ending with a unique dubstep version of Mr. Brightside.
Truth brought a deep, dark, and dangerous vibe straight from New Zealand. His acid dubstep remix of the Phill Collins hit In the Air Tonight balanced heavy energy with more melodic elements. Despite a brief technical snag, which was quickly fixed, Truth delivered a performance that left a strong impression, especially for those experiencing his music for the first time.
G Jones closed the first day with stark black-and-white visuals. Despite a delayed start due to technical issues, once he began, he quickly settled into his element, delivering a set that was both intense and visually stunning.
LSDream wrapped up day one with his usual blend of crazy visuals and bass-heavy tracks, including a remix of Von Dutch and a bass-heavy version of Bass Down Low. His set was a sensory overload, leaving the crowd energized and ready for more.
Day 2: The Journey Continues
Lightcode provided a unique experience that was both beautiful and hard to describe. It offered something truly new and different from the other acts, with it being a sound bath. Coconino Campout was the perfect setting for this experience, as everyone in attendance was genuinely invested in the meditation delivered.
Sunsquabi took the sunset slot, delivering a crisp yet relaxed sound that perfectly matched the mellow and uplifting energy of the setting sun.
Zingara brought a fierce energy with her set, debuting new music that can only be described as “bad bitch dubstep.” Her custom visuals, featuring herself and her snake, were as hot as her beats. She masterfully sampled Little Girl Gone by Chinchilla, turning it into an even more powerful female rage anthem. Unexpected samples like Michael Bublé’s Feeling Good and Take It Off by Fisher kept the crowd guessing and moving. Zingara’s ability to work the crowd and deliver unique, clean sounds suggest a skyrocketing career ahead.
Detox Unit brought a mix of high-energy dub and groovy mellow bass, punctuated by his playful use of sound bites like “He needs some milk” and Hank Hill’s “I’ll tell you what.” His seamless transitions and ability to go from laid-back vibes to intense energy kept the crowd thoroughly entertained.
CloZee closed out Day 2 with her signature blend of storytelling through music. Sampling Indian beats and seamlessly mixing tracks like When I Move, You Move, CloZee took the audience on a journey. Her set, featuring her new collaboration with LSDream, was a crowd favorite and solidified her reputation as a must-see live performer.
Day 3: A High-Energy Finale
The final day of Coconino Campout kicked off with Canabliss, who impressed the crowd with samples from Guess by Charlie XCX and Billie Eilish, as well as Drug From God.
Tape B kept the energy high, dropping tracks that included Schoolboy Q, the Low Rider theme from George Lopez, and a brand-new track with Ganja White Knight. His rework of Too Close into a wonky, glitchy dub smash hit was a standout, and he closed with a bang—his mix-tape version of Bangarang.
Daily Bread offered a more low-key but deeply satisfying set. His signature sound paired perfectly with his subtle visuals, creating a comforting atmosphere. The way he played with light and transitions kept the audience engaged, even as he shifted into an 80s-inspired theme. His closing track left the crowd in awe, a fitting end to a set that felt like a musical journey through time.
Liquid Stranger brought the festival to a close with one of the hardest remixes of Satisfaction ever heard. He introduced new tracks, including a collaboration with ProbCause, and delivered a bass-heavy remix of Gold Dust that hit hard. True to his word, Liquid Stranger went harder than usual, and the crowd loved every minute of it.
Final Festie Thoughts
Coconino Campout was a rollercoaster of bass-heavy beats, technical challenges, and unforgettable moments. From The Widdler’s playful experimentation to Zingara’s fierce energy and CloZee’s storytelling prowess, each artist brought something unique to the stage. Despite the occasional technical issues, the festival was a resounding success, leaving attendees buzzing with memories of a weekend well spent. I’m looking forward to the next installation in the story of Coconino Campout!
Relentless Beats always has more dance floors slated for ya! Check them out here!
Check out our select photos here!
If you had your picture snapped at Coconino Campout, be sure to check out the full album, which is available here on Facebook.
